News

Pavel Šporcl: the man with the blue violin - https://www.thestrad.com/for-subscribers/pavel-porcl-the-man-with-the-blue-violin/15650.article?adredir=1
Vincent Larderet interview & performance for the album devoted to Scriabin’s 150th anniversary -
Vincent Larderet à la salle Cortot - Le 16 avril 2022 Vincent Larderet donnera un magnifique récital à la Salle Cortot . Au programme Liszt, Franck, Ravel, Scriabin.
Ingmar Lazar and Giuseppe Gibboni in Milano and Roma - Ingmar Lazar and Giuseppe Gibboni will play again together in Sala Verdi in Milano, as part of the season of the Serate Musicali Sala Verdi del Conservatorio di Milano on march 28th and in Roma, Istituzione Universitaria dei Concerti https://www.concertiiuc.it/ on march 29th.
MDR Symphony Orchestra Leipzig and Pavel Šporcl - « Out of this world…It has been a long time since the audience were as enthusiastic as at this concert…the Czech star violinist Pavel Sporcl tore the audience from their seats, cheering…at the cadence of the first movement you could hear a pin drop…the audience were so under his spell, then [...]
Sasa Mirkovic in Lodz - March 18th, Sasa Mirkovic will perform Bairdov’s « Concerto Lugubre » under Vincent Kozlovsky and Lodz Philharmonic!
Générations France Musique accueille Ingmar Lazar - Pour écouter l’émission c’est par ici
Benjamin Herzl & Ingmar Lazar au festival Le Bruit qui Pense - Le 18 mars à Louveciennes, Benjamin Herzl (violon) et Ingmar Lazar (piano); Marc Phalippou (modération) joueront Debussy, Enesco, Mozart, Schumann, Dietrich et Brahms à l’occasion de l’ouverture du festival. Pour en savoir plus Le Bruit qui pense
Ingmar Lazar Mastery, Simplicity and Beauty… - Some masterly playing from Ingmar Lazar with simplicity and remarkable musicianship he allowed the music to speak for itself with a luminosity of sound and technical mastery that was never allowed to intrude on the architectural music line.I was reminded of the same sound of Gelber many years ago when [...]
Pavel Sporcl’s « Paganiniana » in « theartsdesk » - … the Caprice No. 24, performed with a lightness of touch, Šporcl’s flexibility of tempo making the piece sound as if it’s being improvised. To read more click here Read Pavel Šporcl’a First Person for theartsdesk on Paganini and the Czech tradition